在这部灵感来源于一个网路梗的烘培大赛中，技艺精湛的糕点师制作出极其逼真的提包、缝纫机等糕点，令人在垂涎之余叹为观止

圣诞季到来，五位返场艺术家用充满节日气氛的设计装点玻璃车间。其中一位将赢得现金大奖，确实是个快乐的圣诞节！

In this brand-new three-part series for ITV, adventurer Bear Grylls heads out on an epic journey of discovery across England, Scotland and Wales to experience the British Isles at their most spectacular. http://www.itv.com/presscentre/ep1week38/britains-biggest-adventures-bear-grylls http://www.itv.com/presscentre/ep2week39/britains-biggest-adventures-bear-grylls http://www.itv.com/presscentre/ep3week40/britains-biggest-adventures-bear-grylls

Paris Hilton can cook - kind of. And she's turning the traditional cooking show upside down. She's not a trained chef and she's not trying to be. With the help of her celebrity friends, she navigates new ingredients, new recipes and exotic kitchen appliances. Inspired by her viral YouTube video, Paris will take us from the grocery store to the finished table spread - and she might actually learn her way around the kitchen.

高譚車廠活力十足的夥伴們大舉翻修各式各樣的汽車和卡車，希望換購到令人叫好且能高價賣出的貨色@HD一条街

　　Twelve teams of dogs and their humans compete in an epic adventure across multiple continents

　　After years on the grind, Bert Kreischer sets out on a purifying retreat to a remote cabin.

　　《决胜荒野》是一档真实的野外生存竞技节目，不仅展现了探险家们面临的艰难险境，还突显了生存专家在竞技压力下的个人特技。本季《决胜荒野之华夏秘境》除了维持上一季精良的国际制作、紧张刺激的竞赛节奏以外，更是将赛场搬到了中国，来自全球顶级的生存专家，将在这片充满东方色彩的土地上展开优胜角逐。本季节目的竞赛场景主要集中在中国的陕西、甘肃、四川、云南、广东等地，这些地区以多样的地理环境、独特的自然资源而闻名。从宣传片中可以看到，德爷的挑战将在连绵险峻的群山天坑、寸步难行的雪地冰川、万里无边的沙漠沼泽、暗含危机的海洋岛屿，同时还有极端恶劣的天气和生存环境等情况下进行，所到之处风景壮丽但又处处暗含危机。究竟谁才是野外生存领域的王者，让我们拭目以待吧！

　　《粉雄救兵》五人组之一的谭·法郎士将与艾里珊·钟共同主持Netflix时尚竞赛类节目《时尚的未来》(Next in Fashion，暂译)。Netflix已预订该节目首季，共10集。造型师兼时装编剧伊丽莎白·斯图尔特、Instagram时尚合作伙伴主管伊娃·陈等担任嘉宾。18位时装设计师将为一流的名人装扮。他们将争夺25万美元的奖金，并有机会与零售商Net-A-Porter合作推出系列服装。

　　前Bravo大热真人秀《粉雄救兵》(原名《Queer Eye for the Straight Guy》)现由Netflix接手重启，节目每集会找一个生活习惯特别，较不重视外表的异性恋男性（即“Straight Guy”）上节目，由节目主持人“神奇五人组”（Fab 5）指导打扮，建议造型。
　　重启后原“神奇五人组”（Fab 5）将由新阵容取代，包括负责设计的Bobby Berk﹑教导潮流文化的Karamo Brown﹑传授美酒佳肴的Antoni Porowski﹑美容的Jonathan Van Ness及时尚专业化打扮专家的Tan France。

　　影片是一部围绕住在纽约的单身父亲路易斯抚养两个女儿展开的情景喜剧。
　　由故事男主角louis c.k.自编自导自演。

　　英国达人（又名《英国星光大道》）（英文：Britain's Got Talent），英国独立电视台（ITV）制作的选秀节目，制作人为Simon Cowell。该节目从2007年6月9日起每天播放录影片段，直至同月17日直播总决赛，旨在发掘英国业余表演人才。优胜者不但获得10万英磅奖金，还可以在利物浦帝国剧院举行的英国皇室综艺节目上，在女皇伊莉沙伯二世和皇室成员面前表演。by:meijubar.net

　　BattleBots是一种机器人战斗比赛，以淘汰赛的形式进行。设计师们建造、操作并与他们的破坏性机器人作战，直到冠军获得加冕。

　　From FOX, the creators of American Idol and the producers of American Bandstand and The American Music Awards comes So You Think You Can Dance.
　　In its sophomore season, this show is offering the winner a one year contract for Celine Dion's Vegas show, a brand new car and $100K cash. Contestants perform a particular style of dance each week with a partner. The audience votes on their favorite couple leaving the 3 couples with the least votes up for elimination. After each dancer performs a solo of their choice for the judges, one male and one female contestant are up for elimination.

　　《舞魅天下》获得第12季续订。

　　Syfy真人秀节目《Face off》。参赛者将比拼特效化妆技术。评委是世界顶尖的影视特效设计师和化妆师：Glenn Hetrick 特效化妆师（作品：《吸血鬼猎人巴菲》《X档案》《致命魔术》《基督再临》《英雄》《犯罪现场调查纽约》）、Ve Neil 传奇化妆师，八次奥斯卡提名三次获奖（作品：《剪刀手爱德华》《阴间大法师》《蝙蝠侠归来》《窈窕奶爸》《加勒比海盗》）、Patrick Tatopoulus 人物造型设计师&导演（作品：《独立日》《哥斯拉》《星际之门》《机械公敌》《黑夜传说前传：狼族再起》）。最终的优胜者将获得10万美元奖金，一整年用量的Alcone品牌提供的免费化妆品。

　　Brove电台出品《顶级大厨•甜蜜世界》艾美奖制作人James Beard《顶级大厨》的衍生剧集 –《顶级大厨》评审Gail Simmons将担任主持以及常驻评审的工作。加入评审席的还有著名糕点师Johnny Luzzini，《Daily Candy》主编Danielle Kyrillos
　　每一集“顶级大厨•甜蜜世界”的糕点厨师都会有两个挑战：第一个是测试他们的基本能力的快速挑战赛，第二个是淘汰赛，旨在检查他们的创造新和独特性，其糕点制作水平是否可以满足不同人群的要求

　　众所皆知，Formula 1 2021 可谓近年最为激烈且充满戏剧性的一个赛季，车手总冠军必须在最终站阿布扎比大奖赛才能分出胜负，积分相同的 Lewis Hamilton 与 Max Verstappen 上演空前的决战.

　　Comedian Colin Quinn talks about American politics and how divided the country is.

　　As Hampton Court Palace celebrates its 500th anniversary in 2015, BBC Two brings a key event from the iconic building’s history vividly to life - the christening of Henry’s son and heir Prince Edward, the future Edward VI.
　　With so few surviving buildings left associated with events from this period of British history and the reign of Henry VIII, Lucy Worsley and David Starkey offer audiences an unprecedented insight into Henry VIII’s world. Focusing on the events of 15 October 1537, A Night At Hampton Court Palace will recreate the occasion that was a culmination of nearly three decades of Henry’s rule - the birth of a male heir. As Lucy and David eavesdrop across time, they reveal how Henry’s household came together to create an event that would have been perceived as almost magical by those who witnessed it.
　　They will recreate the 90-person grand procession that would have transported baby Edward to his torch-lit christening service. This was the best recorded occasion staged at Hampton Court during Henry's VIII's reign, and the detailed records allow Lucy and David to show how this great celebration used every part of the palace, from the royal apartments to the kitchens to the Chapel Royal.
　　Offering a unique opportunity to reveal how the many elements of court life would have been brought together, from art to architecture, religion and music, A Night At Hampton Court Palace will capture a pageant that was deeply political but also carefully stage-managed piece of performance art.

　　"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.

　　惠特宁卡明在喜剧中心的单人脱口秀表演