57
6.0

男人不可以穷粤语

导演:
钟澍佳
主演:
黄宗泽,陈伟霆,谢天华,金刚,邓丽欣,赵荣,陈嘉桓,洪天明,廖启智,龚慈恩,卢宛茵,关宝慧,许绍雄,郑诗君,陆永,周定宇,徐伟栋,吴浩康,邱晔
别名:
未知
6.0
57人评分
汉语普通话,粤语
语言
未知
上映时间
104分钟
片长
简介:

一向安于现状的白领青年薛可正(黄宗泽 饰),被陷害导致失业,同时拍拖多年的女友以娜(邓丽欣 饰)提出分手,一夜间顿时成为双失青年。   在儿时朋友栽(洪天明 饰)和刚刚出狱的弟弟可勇(陈伟霆 饰)介绍下,误打误撞进入一金融公司成为黄金经纪。兄弟二人见识了这一行的人生百态和金钱 的丑恶;可勇在公司更认识了后来成为太太的姚静悠YoYo(陈嘉桓 饰);正当薜可正事业刚刚有起色,家中父亲因癌症去世,兄弟二人大受打击。 薜可正拒绝父亲的好友帮助,离开金融行业转为经营卖烤串的小摊档。在创业初期,薜可正认识了刚烈女子安儿(赵荣 饰)。因为看不过眼安儿的儿子思倪(陈学文 饰)给前夫虐待,毅然帮助安儿和前夫争夺思倪的抚养权。   与此同时,可勇与YoYo也闹离婚要争夺孩子抚养权,薜可正从一个双失青年,在现实的生活和家庭纠纷下,逐渐成长为一个真正的男人,而可勇及YoYo也在可正...

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更新时间:2025年09月28日
主演:英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特
简介:Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.
1940
1954
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主演:英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特
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